分类： aa

1905 movie network news　On the evening of January 15, the premiere was held in Beijing. Director Lin Chaoxian, producer Liang Fengying and starring Peng Yuyan, Wang Yanlin, Xin Zhilei, Lan Yingying, etc. appeared and met after the screening.

Peng Yuyan, Wang Yanlin

When it comes to the film that will be released on the first day of the new year in 2020, Lin Chaoxian said that the team has been preparing for it for 5 years, spending 8 months in front of the stage and behind the scenes, and shooting for 123 days, hoping to present the greatness of rescue.

Director Lin Chaoxian

Peng Yuyan also felt a lot of emotion at the scene. He expressed his special gratitude to the director Lin Chaoxian. Although the two had cooperated many times before, the director Lin Chaoxian "could trust me during this time and give me such an important film."

Peng Yuyan

"Emergency Rescue" is the fourth time that Lin Chaoxian has used Peng Yuyan as the male lead after three films.

Xin Zhilei

Several leading actors also talked about the hard work and danger of rescue work at the scene, expressing the hope that these heroes who paid silently could feel that their performances were not humiliated, and that more people could know that their hard work was not in vain.

　　The TV series "Hurricane" was a hit, and it brought fire to "The Art of War". The sales of "The Art of War" increased sharply and even sold out. Gao Qiqiang, the villain in the play, praised "The Art of War", which made netizens seem curious about the strategy of "The Art of War". In fact, "The Art of War" is based on Tao, and cares more about moral care and human spirit. It is difficult for people who do not read "The Art of War" to understand the essence of the book. As long as they can distinguish the difference between "The Art of War" and "Thirty-six Strategies", they can be regarded as understanding the book.

　　According to Sima Qian’s "Historical Records", Sun Tzu lived in the Spring and Autumn Period, which was an era of great change in Chinese history. The most significant feature in politics was the decline of the Zhou royal family and the struggle for hegemony between the princes, which in Confucian terms was "the collapse of rites and the collapse of music" and "the Spring and Autumn Unjust War." According to incomplete statistics, in the 100 years from the first year of King Qing of Zhou (618 BC) to the first year of King Jing of Zhou (519 BC) alone, there were more than 160 recorded wars. For the sake of their own survival, development and competition for hegemony, countries competed to recruit military talents and encouraged the establishment of new military theories, which provided a broad stage for the appearance of soldiers and military letters.

　　▲ Qi State in the Spring and Autumn Period. (Image source: Tan Qixiang: "Atlas of Chinese History")

　　Sun Tzu, a famous Wu, was a native of Qi State in the late Spring and Autumn Period. His birth and death years were difficult to determine, and he was in the same era or slightly later than Confucius. Qi State was the fief of Jiang Ziya, the founder of the Western Zhou Dynasty, and according to legend, military strategy books such as "Six Tao" and "Conspiracy" were related to him. During the Spring and Autumn Period, there were also famous officials who assisted Duke Huan Qi to achieve hegemony and left a very rich military legacy. Qi State jumped to become the political, economic and cultural center of the world at that time, and became a place where heroes gathered. Such a social environment also provided theoretical support for Sun Tzu’s military research, enabling him to become a learned military talent in his youth. After that, Sun Tzu and Wu Zixu jointly assisted King Wu ********* Cha and his son to defeat Chu, Yue and other countries and become the hegemon of the south. Wu Zixu was forced to commit suicide because he failed to persuade his husband, but the deeds of his grandson are not found in historical records. Later generations speculated that he may have been like Fan Li and retired to the mountains and forests when he became famous.

　　To study Sun Tzu’s Art of War, one must first understand two concepts: one is "Tao"; the other is "Instrument". These two concepts are defined in the Book of Changes as follows: "The metaphysical one is called the Tao, and the metaphysical one is called the Instrument." Since the upper part of the visible is "Tao", then the "Instrument" of "the metaphysical one is called the Instrument" refers to specific things, and can also be expressed directly with "Shu". "Shu" is the specific application method of rational cognition. The relationship between "Tao" and "Instrument" is: "The Tao is in the Instrument, and the Tao controls the Instrument." This is the fundamental way of thinking in Chinese philosophy. " Tao "There are various sayings in Chinese philosophy, which are briefly summarized as the causality and regularity inherent in nature, society, and human beings, which are compared to the moral ontology and the realm of people’s transcendental understanding.In Chinese culture, it has always been believed that "Tao" is "the essence", "Shu" is "the end"; "Tao" is "the body", and "Shu" is "use". "Shu" is inseparable from "Tao", and there is no purely independent "Shu".

　　▲ Portrait of Sun Wu. (Image source: CCTV)

　　Today, many people read "The Art of War" and pay attention to the art of strategy, which vulgarizes "The Art of War". This is putting the cart before the horse, and it is also the biggest misunderstanding.In the Book of Changes, it is said that "great virtue carries things", which is worthy of our deep consideration. An entrepreneur and politician who has no self-morality constraints and no national, national, and social responsibilities will inevitably go astray. The traditional Chinese cultural way of thinking and moral cultivation are closely related, such as "inner sage and outer king" and "holy wisdom", which are consistent with the "middle mean" advocating the concept that morality and wisdom go hand in hand. This is also the so-called "great virtue must have great wisdom". In the art of war, Sun Tzu places great emphasis on humanistic spirit and moral care. This issue cannot be discussed only in the "Art of War" of Sun Tzu, and there should be a comparison and contrast. Therefore, the author compares "On War" written by German military strategist Clausewitz with "The Art of War" of Sun Tzu.

　　The book "Theory of War" is a classic document in modern Western military works. The first point of view of "Theory of War" is that "war is the continuation of politics". This political concept can be enlarged to include economic, geographical and other factors. For example, if there is no oil in the Persian Gulf region, Western powers will not be so interested because they want to control strategic locations and strategic resources, so there are two Gulf wars. It can be said that this view is an accurate description of the essence of war.

　　So, is there such an idea in "Sun Tzu’s Art of War"? "Sun Tzu’s Art of War" says from the beginning: "Soldiers are the major events of the country, the place of life and death, and the way of survival. It is impossible to ignore." "Soldiers" refers to war. War is the most important thing for a country. Since it affects the life and death of the people and the survival of the country, every ruler cannot fail to observe, analyze, and study it carefully. It can be said that Sun Tzu 2,500 years ago has realized that war is not an independent phenomenon, but the most important thing for a country. Therefore, Sun Tzu said that the issue of war must be treated with caution, which is the idea of "careful warfare". Because war is extremely destructive and very cruel, once it fails, it often has to bear a heavy price.Sun Tzu cautioned rulers to be cautious about war, because "a subjugated country cannot survive, and the dead cannot be resurrected."

　　The Theory of War.

　　The second point of "On War" is that "the fundamental purpose of war is the complete annihilation of the enemy." But Sun Tzu does not believe that war is the first choice to solve the problem. Sun Tzu said: "If you go up to the army, you will attack the enemy, and then you will attack the army, and then you will attack the city. The method of siege is a last resort."In Sun Tzu’s opinion, the best military action is to use strategies to thwart the enemy’s war behavior; the second is to establish alliances and defeat the enemy by diplomatic means; the second is to defeat the enemy by force; the last resort is to attack the enemy’s city. Siege is a last resort, there is no way.Because in his opinion, the soldiers who attacked the city like ants, with one-third of the casualties, could not succeed, which was a major disaster. Therefore, Sun Tzu proposed that winning a hundred battles is not the most brilliant; the one who can subdue all the enemies without fighting is the most brilliant. Sun Tzu is not simply talking about "the method of planning an attack", but admonishing people that "those who do not know the harm of using soldiers cannot know the benefits of using them." Sun Tzu advocated "total victory" and "wisdom victory" because he saw the cruelty of war, so he put forward the idea of "careful combat".We can appreciate the love and respect for life contained in the book "The Art of War" by Sun Tzu.

　　Sun Tzu’s thinking is not isolated. In the Spring and Autumn Period, Confucianism and Mohism were called "scholars" and were the most influential schools of thought at that time. Mohism had an article called "Non-Attack". Mohism hated war so much that it specifically used such articles to oppose war. Mencius criticized war for delaying agricultural time, destroying production, mutilating innocents, and plundering people into slavery. The reasons why Confucianism and Mohism oppose war are the same. Lao Tzu said that "those who are happy to kill people should not be able to aspire to the world", which means that those who enjoy killing people cannot win the world. War brings great disasters to society and the people, so Lao Tzu said: "Those who are soldiers are ominous weapons, things or evil things, so those who have the Tao are not good." Lao Tzu’s opposition to war is self-evident.

　　The author believes that the concept of paying attention to and respecting life in Chinese military science is not unrelated to the emphasis on humanities and morality in Chinese cultural traditions.Let’s first understand the meaning of the concept of "China". During the Shang and Zhou Dynasties, the word "China" was once used to refer to "Huaxia". What is Huaxia? "There is great etiquette, so it is called Xia; there is the beauty of clothing, which is called Hua." Clothing is not only a simple tool used to cover shame, but also represents a culture. The "etiquette" here does not just refer to the concept of politeness, but is regarded as a system. People of every class are responsible in their respective positions and cannot do whatever they want. In daily life, "etiquette" should also be said. Since ancient times, China has had etiquette for drinking, playing, and walking, so we have the reputation of "the state of etiquette". Huaxia is a cultural concept, and "China" is regarded as a representative of "advanced" culture and civilization.

　　▲ "The Art of War" book cover. (Wang Shouchang, photo courtesy)

　　In the Song Dynasty, Liao attacked the Central Plains. Shi Jie, a famous scholar in the Song Dynasty, expressed the following views in "On China": When you were still living in caves, China had buildings; when you were still wearing fur, China had clothes; when you had no writing, China had written history. If you come to study, I will teach you; if you don’t come to study, we will be safe and not disturb each other.

　　In the Song Dynasty, China was one of the most powerful countries in the world at that time. In 1988, I discussed a question with a Jewish scholar in the United States. I asked him if he knew anything about ancient China, and he said he didn’t. I asked him if he knew anything about the history of Jews coming to China during World War II. He said he knew that during World War II, some Jews were persecuted by fascism and came from Vladivostok, the Soviet Union, to Shanghai, China, where they were accepted and entertained by the Chinese. He also said that one year during the Spring Festival, overseas Jews formed a Thanksgiving Group to visit China, reflecting on the living experience of their parents, and expressing their gratitude to the Chinese government and people. In fact, what he didn’t know was that Jews had come to China long before the Song Dynasty, so it can be seen that China was an open country at that time.

　　A large number of documentary records show that the Central Plains region has contacts with surrounding ethnic groups and has always been a good-neighborly and friendly relationship. Although culture, economy and military are ahead of each other, they have not taken hegemonic acts such as aggression and plunder.There is an American film called "Dances with Wolves", which tells the history of European immigration to the American continent to carve out territory and massacre large numbers of indigenous people, which is in sharp contrast.Therefore, for thousands of years, China’s Central Plains and its surrounding ethnic groups have been in the process of continuous integration. The expansion of China’s territory does not rely on war and force, but on cultural identity and common belonging.

　　In the Book of Changes, there is a saying that "the three talents of heaven and earth are precious". Xunzi said that people are the most precious in the world because they have qi, life, knowledge, and righteousness. The Art of War of Sun Tzu was produced under the cultural background of great respect for "people".When Sun Tzu discusses war, he always thinks from the perspective of humanities and morality."The Art of War" does not advocate solving problems through war, so it is necessary to use strategy to solve problems. Even if strategy is promoted, it always emphasizes the role of morality. The last article of the thirteen chapters of "The Art of War" is the "Use Room". This "room" is a spy, and the use room is the use of spies. But Sun Tzu talks about the use of spies on the premise that "non-sages cannot use room, and non-benevolence and righteousness cannot use room". Now many of us have forgotten this premise. War needs to be solved by strategy, and there is also a problem that runs through moral and humanistic care.

　　About the author:

　　Wang Shouchang, a famous scholar, professor of the Department of Philosophy and Religious Studies of Peking University, former dean of the Chinese Culture Academy, and dean of the Beijing Sanzhi Culture Academy, mainly researching the history of Chinese philosophy, Buddhism, recent and modern intellectual history, etc., is an advocate and practitioner of "Sinology" education. He has served as the "Chinese Culture Editor" of "Oriental Culture Integration" and the co-editor of the famous academic magazine "Scholar" magazine, the executive director of the China Association for International Education Exchange, and the deputy secretary general of the International Confucian Federation.

　　Producer | Yang Xinhua

　　Coordinator | Liu Jia, Hu Jun, Kang Kunquan

　　Editors | Guo Hui, Qi Zitong

　　Production | Hu Qi

Original title:"Hurricane.The revelation of "hurtling" all the way

At the beginning of 2023, a unique cultural phenomenon appeared in society – people chased the TV series "Hurricane" without sleeping or eating. This drama not only received "Hurricane" as its name, but also set the first rating in CCTV’s eight sets in the past nine years on the TV side. The popularity of the Internet side broke the highest record of iQIYI, and the reputation was also "hurricane" all the way. More than 500,000 people gave an average rating of 8.5 on Douban.

From netizens enthusiastically discussing the plot and analyzing the details on social platforms, to the "same" "The Art of War" related to the plot being sold out and selling out, and then to many new media empowering urban cultural tourism and popularizing legal knowledge with the help of public opinion, this phenomenal work tells the story of a 20-year life-and-death struggle between the righteous forces represented by the first-line criminal police An Xin and the underworld forces represented by Gao Qiqiang. It expresses the complex and multi-faceted human nature, the arduous task of sweeping away underworld and the grimness of social reality. It not only pushes the theme of sweeping away underworld and eliminating underworld that belongs to the niche for a period of time to the center of the film and television stage again, but also sets off a public opinion upsurge in the society that pays attention to hot spots, reflects on reality, and looks forward to the future.

The realistic narrative technique depicts the true and profound social picture

The reconstruction and demolition of the old city, the battle in the sand quarry, the KTV gambling… "Hurricane" is based on the normalization of anti-crime and anti-evil in recent years, and the education and rectification of the political and legal team as the policy background. It focuses on a series of criminal cases that took place in Beijing City, and conducts a bold and in-depth discussion on sensitive topics such as collusion between officials and businesspeople, power and money transactions, underworld forces and umbrella companies. The plot is interlocking, step by step, starting from the public security and legal teams, and uncovering the dark layers, involving key issues without ambiguity and non-avoidance. Like a mirror, it reflects the real social pain points, management difficulties, and public opinion hotspots in that era.

The play selects three time nodes in 2000, 2006, and 2021, and uses the intersection of positive and flashbacks to express the social picture under the development and change of the times. With the rapid development of the economy and the progress of the political and legal system, the underworld forces rise in the human society, perish in the rule of law society, and are finally wiped out. In this process, everyone has experienced the beating of society and the examination of conscience. The creator uses a large number of detailed descriptions to tell the story of the underworld forces constantly clinging to the powerful and gradually developing, as well as the experience of generations of police officers who have worked hard and sacrificed their lives to fight against the underworld forces, explaining the people’s support and support for combating organized crime and maintaining social order, and also demonstrating the country’s determination to eliminate the underworld forces. It also shows that the grand scene of clean and upright governance has arrived, highlighting the strong practical significance.

The details rich in fireworks describe the group portraits of the people who created the plump flesh and blood of the era

The vivid and detailed characters have become an important reason why the drama is talked about by netizens. The main character, An Xin, a police officer, is brave but stubborn, Gao Qiqiang, the leader of the underworld forces, is strong and ruthless, and there are collateral characters such as Xu Zhong, who knows people and makes good use of them, and Li Xiang, who is down-to-earth and hardworking, who take turns to appear as the plot unfolds. Officials at all levels, retired cadres, police officers, Hong Kong and Macao businesspeople, villagers, unemployed homeless people, and prisoners, etc., weave a huge network of character relationships, which are then rendered with family, friendship, and love, thus extending into an intricate picture of the development of the times.

The performances of many powerful actors have given these characters a vivid vitality. They all carry their own social identity characteristics and personal traces of life. Whether it is hairstyle, clothing or behavior, they are extremely natural, fit, and representative, leaving a deep impression on the audience. Li Xiang has a dream of getting rid of violence and peace, but he walks between black and white; Lao Mo wants to be a good person for his daughter, but he becomes a killer; there are also good policeman Lu Han, the villains Crazy Donkey, Li Hongwei, Secretary Wang, these vivid and realistic images are written from the background of the times, revealing different personality characteristics and psychological states with various life details such as posture, eyes, habits, dialects, etc., thus revealing the human nature changes and destiny trends of many characters from different classes and groups in the black and white confrontation under the changes of the great era. Xu Zhong, the anti-gangster supervisor, looks back at the 20-year history in the form of a narrator, observes the fate development trajectory of different characters, and makes the audience feel the profound changes in the social environment and social mentality, and then issues a soul inquiry: Why do people who should be more beneficial to society go to the abyss of crime and seriously erode the social body? Why did those public servants who should have maintained social stability become the umbrella company of the evil forces? It can be said to be meaningful and has a strong warning effect. These ingenious settings create rich and multi-layered drama scenes, improve the audience’s sense of substitution, and provide the work with realistic dimension dramatic structure support.

Break the mold and explore the complex human nature

There are many "famous scenes" in the play that make the audience unforgettable. For example, An Xin and Gao Qiqiang determine each other’s details, and walk left and right after they decisively break up, which means that the two are completely opposite to each other; and An Xin picks up the police cordon and forces Gao Qiqiang to keep retreating, concretizing the concept of "evil does not suppress good". And these all point to the most brilliant characters in the play, An Xin and Gao Qiqiang.

Setting the main characters as the two camps of black and white is a common routine in TV dramas with the theme of anti-crime and evil. "Hurricane" integrates the plot and suspense into the origin of human nature, and restores the process of character formation and transformation. Twenty years ago, a police officer who first entered the workplace, An Xin, met Gao Qiqiang, a fish seller who was bullied by market bullies, and came to the rescue out of justice. Since then, the two have intersected. Gao Qiqiang was originally a kind and diligent low-level people. An Xin’s accidental help won him a position and living space in the market, and also allowed him to see the convenience of making friends with the police. Since then, he has embarked on the road of speculation, clinging to the powerful, and even breaking the law. The two gradually drifted apart, An Xin grew from a high-spirited teenager to a weathered white-haired middle-aged man, and Gao Qiqiang metamorphosed from a submissive fishmonger at the bottom of society to a leader of the underworld who occupies one side. How much can a person change in 20 years? The work follows the laws of art and answers the audience with delicate, natural and smooth portrayals. Gao Qiqiang’s good and evil symbiosis, affection and insidiousness, An Xin’s tolerance of humiliation, hard work, and the choice between family, friendship, love and responsibility, the multifaceted and complex nature of human nature have been heavily foreshadowed and described in the play. It is the breakthrough of realism in literary and artistic works and the expression of loyalty to life.

Now, "Hurricane" has come to an end, the evil forces in the play have been punished as they deserve, and the society has ushered in the Qingming Festival. However, Gao Qiqiang, An Xin, and large and small characters in the play have become art classics, and they will also remain in the audience’s memory, worthy of careful experience. (Author: Xie Shanshan, Distinguished Professor of Zhuhai University of Science and Technology)

Guangming Daily (February 15, 2023)

??1905电影网讯 除了唱歌、演戏，如今的任贤齐又多了一个新身份——导演，没错！他在自己导演的电影处女作《落跑吧，爱情》中自导自演，与舒淇上演了一场浪漫爱情喜剧。据悉，女神舒淇在片中还惨遭新手导演小齐的折磨，不论是落水暴晒，还是削刀削面，全部都得亲自上阵。

??日前，1905电影网跋山涉水，把海陆空交通工具全坐了一个遍，才抵达了美丽的台湾澎湖，跟着任贤齐导演一起探访《落跑吧爱情》的电影拍摄地。令人意外的是，“导游”小齐竟然不惧酷暑，不仅48小时不停向媒体介绍，还在大太阳下唱歌、跳舞，更牺牲“色相”，下水浮潜，任人拍，最后连皮肤都变成了黑炭色，他也不要休息。为了这部导演处女作《落跑吧爱情》，小齐也真是够拼的了！

任贤齐成电影圈新劳模 唱歌、跳舞、浮潜……任拍任采无怨言

??什么才叫“电影圈劳模”，看到任贤齐你就明白了。什么一年拍5部电影，跟小齐一比，那都不叫事儿。谁见过一个电影导演，能唱能跳能演能拍，当的了导游，玩的了潜水？任贤齐直接让“电影劳模”的标准升了八个档次。任贤齐这位新导演当得忒生猛，话不多说，现在就带大家看看小齐的必杀技。

第一站：二嵌古厝聚落

必杀技：暴晒下热舞

??二嵌古厝是台湾岛内第一个传统聚落的保存区，也是《落跑吧爱情》的取景地之一，演员九孔就在这里当村长，在片中他还有三个妹妹，分别由台湾组合“大女孩”饰演。当天，任贤齐穿着剧中戏服——背带裤+草帽现身，乡土气息十分浓郁，原来他在《落跑吧爱情》中饰演一位质朴的村民。小齐不惧现场大毒太阳的疯狂暴晒，他一亮相就联手九孔和大女孩组合在室外来了一段歌舞秀。看到导演任贤齐和演员们瞬间满头大汗，让人相当心疼。

Second stop: the sea bridge

Necessary skills: I jump, I jump, I jump, I jump.

??On this sea-crossing bridge that spans Baisha Island and Yuweng Island, Ren Xianqi’s "tour guide" is possessed. Xiao Qi can tell all the history and short stories about this bridge. Without looking at his face, you really think he is a senior tour guide.

Ren Xianqi jumped up without saying a word. Unexpectedly, the media came to their senses, and all kinds of posture requirements emerged in an endless stream, just like "I jump, I jump, I jump".

The third stop: Baisha Township "Penghu Bay Homestay"

Necessary Skills: Play and Sing

　 　 This white two-story building is the main scene of "Fall, Run, Love". The story of Ren Xianqi and Shu Qi starts here, and there are many ironic things that happen here. Ren Xianqi believes that no details in the movie can be sloppy, so the crew not only invested more than 4 million yuan to build a wooden house, but also hired a prop master to make the whole bed and breakfast old. Interestingly, this seemingly awesome sea view house is actually very sturdy. Ren Xianqi said, "For environmental protection, we can’t drill deep piles or pour cement, so every time the sea water ebbs, the house feels a little inclined, and of course we will quickly replenish sand to reinforce it."

??Sitting on the steps of the cabin, accompanied by the sound of the sea breeze and waves, Ren Xianqi played and sang the new songs "Falling in Love with Summer" and "Grandma’s Penghu Bay", giving people a feeling of love and nostalgia. It is reported that Ren Xianqi has tailor-made a number of new songs for his film debut "Falling in Love". The newly released "Falling in Love with Summer" MV shows movie clips in the form of dramas. Ren Xianqi performs a triple role in the MV. In addition to starring and singers, he also enjoys his own works in theaters as a director.

Fourth stop: Qimei Island Double Heart Stone Shanghai

Nirvana: snorkeling + acting cute

??The Double Heart Stone has a history of more than 700 years. It was originally a fishing tool used in the tidal zone. Due to its shape resembling two "hearts" together, it has now become a symbol of love. It is said that if a person can put a stone into the "heart", the love wish will come true. In "Drop and Run Love", there is also this scene. At that time, Shu Qi kept trying to throw a stone, but unexpectedly the stone hit Ren Xianqi who was swimming, which made people laugh.

??In Shuangxin Shihu, Ren Xianqi kept playing POSE act cute, and all kinds of gestures expressing love were used by Ren Xianqi again, which was really cute. Finally, Xiao Qi also used the strongest trump card – snorkeling. Ren Xianqi, who is proficient in water, is like a free fish in the water, which is not only handsome and pressing, but also makes people feel a kind of dynamic and casual beauty.

Shu Qi was madly tortured by Ren Xianqi, got wet and played with noodles, and was tanned in 2 colors

??It is rare to see an artist who can work so hard. How about it, did Xiao Qi’s must-kill skills also move you? Closer to home, Ren Xianqi, who has been a good tour guide in China, has returned to being a good director in China, revealing the unknown shooting story in "Drop and Run Love". You know, Muse Shu Qi was tortured by the novice director Xiao Qi in the film. What crazy exposure, climbing high and falling into the water, even cutting knives and noodles is such a dangerous job, Shu Qi himself goes into battle.

??Ren Xianqi even broke the news that Muse was tanned as "black face" in the end. Xiao Qi said, "Thank you very much Shu Qi for participating, she is a very dedicated actress, this play Shu Qi has worked very hard to shoot, because the sun in Penghu is too strong, we basically shoot at the beach again, and she has to fall into the water. I think she has been tanned at least 2 times, and even my photographer said to me, ‘Director, I can’t let Shu Qi be black anymore, it’s a little bit out of touch’!" Ren Xianqi smiled and said, "I don’t need to say it, now the skin tone is the same as black coal."

??In the play, Ren Xianqi and Shu Qi stage an adventurous love journey; outside the play, Xiao Qi has long been a son and daughter, but unfortunately the heroine Shu Qi is still alone. As a good friend and neighbor, Ren Xianqi is also anxious about Muse’s life-long affairs. He shouts to good boys all over the world, hoping that someone can quickly stand up and take good care of Shu Qi. Ren Xianqi said, "Shu Qi cultivates both inside and outside, and people are more beautiful. As for the issue of feelings, it seems that the actresses I have worked with, including Liu Ruoying, Gigi Liang, Big S, etc., have all had a good marriage after working with me. I also hope that good boys can take good care of Shu Qi."

Ren Xianqi lamented that it is not easy to be a director. The 30-minute test film turned the audience into a good laugh

??Speaking of being a director for the first time, Ren Xianqi considered himself handy, and he attributed it to the professional staff and his many years of acting experience. At the same time, Xiao Qi also lamented that it was too difficult to be a director. "My starting point for making’Drop Off Love ‘was very simple. First, the song’Grandma’s Penghu Bay’ and the story of the movie moved me; second, I wanted to fulfill a director’s dream. In fact, a director told me before that I must not be a director. I didn’t understand it at the time. I didn’t expect that being a director was so hard and had a good ability to resist pressure. Now I feel that being an actor is so happy!" Ren Xianqi said with a smile, "If I act again in the future, I will never give the director bad ideas again."

??In addition, "Love" also made a special test film in Penghu. Although the film was only screened for 30 minutes, although it was only similar to the nature of the super-long trailer, the effect was still good, and the live laughter was continuous. The style of the film is fresh, but it does not follow the traditional Taiwanese literary romance line. The feeling of "Love" is closer to "Summer Tea", with love and beauty, jokes and touching materials.

In the next decade, gasoline vehicles may be on the verge of marginalization. This change is driven by environmental initiatives and technological innovation, as well as by policy. At the same time, social adaptation and cultural transformation have also paved the way for electric vehicles. However, we need to prepare for this change, including government and business input and support, consumer understanding and choice, and follow-up issues after the retirement of gasoline vehicles. The environmental and economic benefits of electric vehicles are self-evident, but we also need to pay attention to the possible negative effects of their use and take a series of measures to ensure their sustainable development. This process of change requires the joint efforts of governments, businesses and consumers to build a more environmentally friendly, healthy and sustainable society. First, environmental initiatives and technological innovation "Protect the planet, starting every time you turn off your engine" is no longer an empty slogan. The reality of global warming and environmental degradation has prompted governments and environmental agencies to take unprecedented measures. The advantage of electric vehicles is not only their zero emissions, but also their ability to combine with renewable energy to move towards a greener future. And technological advancements have made batteries more durable and charging facilities more convenient.

Under this trend, are the days of traditional fuel vehicles counting down? Second, the market economy and policy-driven market economy always revolve around benefits, and fuel vehicles are gradually losing their dominant position in the future economic equation. The government’s subsidy policies for electric vehicles, restrictions and even bans on fuel vehicles are gradually changing consumers’ car purchase choices. This is not just the impact of policies, but also the shift in market demand. And companies, always keenly capturing such signals, have adjusted their strategies and turned from the mainstream. When it becomes mainstream, will follow-up services such as accessories and maintenance of fuel vehicles become less accessible due to lack of economic benefits? III. Social Adaptability and Cultural Transformation With the continuous advancement of technology and the deepening of environmental awareness, the status of fuel vehicles is being challenged as never before. Rapid social adaptation and cultural transformation are paving the way for electric vehicles, and fuel vehicles seem to be gradually being marginalized. Not only because environmental issues such as global warming have become the focus of attention, but also because the popularity of electric vehicles has begun to reshape our way of life.

In this era of change, electric vehicles have not only become synonymous with clean energy transportation, they have also gradually become a symbol of fashion and modernization. In the streets of major cities around the world, charging stations are replacing gas stations and becoming new landmark buildings. We need to prepare for this change. Governments and enterprises should increase investment and support for electric vehicles to make them more excellent and competitive in terms of technology, performance and price. Consumers should learn as much as possible about electric vehicles, including technology, performance, price, charging facilities, etc., in order to make more informed car purchase decisions. At the same time, we should also pay attention to the follow-up issues after the retirement of fuel vehicles, such as parking, scrapping, recycling, etc., so as to jointly build a more environmentally friendly and sustainable society. Although the environmental and economic benefits brought by electric vehicles are self-evident, we cannot ignore some negative effects that may be brought about during their use and charging process. For example, battery life and handling, construction and management of charging facilities, etc. Therefore, we need to take a series of measures, including strengthening technology research and development and promotion, standardizing and market behavior, to ensure the sustainable development of electric vehicles.

In short, fuel vehicles may be moving towards marginalization, and electric vehicles may be ushering in a new spring. However, this process of change will not be achieved overnight, and it will require the joint efforts of governments, enterprises and consumers to build a more environmentally friendly, healthy and sustainable society. On the road ahead, we need to move forward together to meet the challenges of change and create a better future together. Fuel vehicles are moving towards the edge, and cultural transformation is taking place. The era of fuel vehicles is gradually passing, replaced by new energy vehicles such as electric vehicles. This energy transition is not just a technological innovation, but also a profound cultural transformation. People’s consumption habits, values and other aspects are being affected and changed. Young people are gradually becoming the main consumers of electric vehicles, and the concept of green travel is affecting people’s consumption habits. However, there are still some challenges in this transition process, such as battery life and charging convenience issues, as well as the influence of retro sentiment. Everyone is a participant and witness in this cultural revolution, and we need to solve some problems to promote the process of energy transformation and cultural transformation. With the gradual withdrawal of fuel vehicles, we are ushering in a new era.

The concept of green travel affects consumption habits. In recent years, the concept of green travel has gradually affected people’s consumption habits. Young people have become the main consumer group of electric vehicles. They are attracted by the silent characteristics of electric vehicles, the trendy appearance and the combination of intelligent technology. They have gradually changed the way people expect and use cars. In addition, the education system has also begun to instill concepts in students, thus cultivating more environmentally friendly future decision makers. The popularity of the concept of green travel has prompted people to support and participate in the energy transition and cultural transformation. Battery life issues and retro complexes are still challenges. However, the exit of fuel vehicles has not been smooth sailing. Many fuel car enthusiasts have doubts about the battery life and charging convenience of electric vehicles. They are worried about the inability to charge in time during long-distance trips, and they are also worried about the inconvenience of charging facilities. In addition, the resurgence of retro sentiment has left some people still full of emotion towards those classic internal combustion engine cars. They like the roar of gasoline cars and the thrill of the throttle. These factors have led to uneven social acceptance of energy and cultural transformation, and reflect the complexity of cultural transformation.

Everyone is a participant and a witness. In this transformation process, everyone is a participant and a witness. Automakers, drivers, policy makers, consumers, and others are all experiencing this profound cultural revolution. Whether it is the development of electric vehicles with higher battery life or the construction of more convenient charging facilities, everyone is contributing to the energy transition and cultural transformation. In the next ten years, we will continue to adapt and participate in this change until one day, fuel vehicles slowly withdraw from the long river of history and become a memory of an era. Solving problems drives the transformation process. However, there are still some problems that need to be solved in this transformation process. How to solve the battery life problem and charging convenience of electric vehicles are important issues. It is also necessary to solve the confusion and dissatisfaction of fuel vehicle users, as well as increase and promote policy support. Only by solving these problems can we better promote the process of energy transformation and cultural transformation. The government, enterprises and individuals all need to work together to provide better conditions to promote greater progress in energy transformation and cultural transformation. A new era is coming. In short, fuel vehicles are moving to the edge, and energy transformation and cultural transformation are happening.

In the next ten years, we will witness a major turning point in the transformation of fuel vehicles from the mainstream to the periphery. This is not only a victory of technological innovation and environmental protection concepts, but also a microcosm of social and cultural transformation. The road of the future may no longer be paved, but full of current and data flow. When fuel vehicles become "difficult to use", we will truly enter a new era. Therefore, each of us needs to contribute to this future and create better conditions for energy transformation and cultural transformation. Have you adapted to this energy transformation and cultural transformation? What are your expectations and suggestions for future transportation? Feel free to share your thoughts in the comment section.

　　November 11 Internet NewsThe latest report,According to foreign media reports, at the I/O conference held in May this year, one of the important things announced by Google (Weibo) was to add offline search and navigation capabilities to the Google Maps app. Now, six months after the last announcement of this plan, this feature will finally reach users. Google Maps will launch a new offline mode that allows users to navigate driving directions and searches offline. This feature is designed to integrate seamlessly with online Google Maps, so that data links can be disconnected or connected without cutting off the app itself. These new features will be available to Android users from later today. Google said that similar features for iOS systems will be available soon.

　　Since 2012, Google Maps has been able to store part of the map content offline, but this is the first time Google Maps has been equipped with offline search and navigation functions. This means that if a user saves a map of the city they live in, they can search for places such as restaurants without the need for an Internet connection, and get a timely response. Due to space constraints, the new feature will only store business names, star ratings and phone numbers, not corresponding photos or user comments.

　　Similarly, offline navigation will only effectively display information about ordinary traffic hours on the road, but it is difficult to upload real-time traffic data. However, once the network connection is restored, the route information will be updated in a timely manner. At present, the initial release of Google Maps offline navigation function cannot navigate offline transportation or walking routes, mainly due to the consideration of data space. However, Google claims that future updates will add more functions to the old box.

　　In any case, this new feature of Google Maps will be very important for users who want to navigate without an internet connection, especially those who are in the "dead zone" or somewhere abroad that requires a new SIM card. (Yuetong)