Special feature of 1905 film network Bamboo grove, inn and chivalrous girl, these fragments seem to have become the classic memories of China’s martial arts movies.Both the directors and they are actually paying tribute to one person when they conceive these scenes, that is, director Hong Kong, China, who is known as the "master of China’s martial arts movies".
Chivalrous Dan Xin
Hu Jinquan, the film master
In the bright starry sky of martial arts movies, there is such a director, whose name is closely related to the classics, and each of his works is like a carefully carved work of art, which makes people intoxicated and unable to extricate themselves. He is Hu Jinquan — — "Master of Aesthetics" and "Philosopher" in the martial arts film industry.
First, the "godfather of aesthetics" of martial arts movies
Director Hu Jinquan, a master with unique views on the aesthetics of martial arts films. Every frame of his works seems to come out of classical ink painting, full of poetry and painting. He is good at using cloud smoke, opera style, ink painting and other elements to perfectly integrate the beauty of the martial arts world with the inner world of the characters.
In his films, you can see the yellow sand flying all over the sky, the exciting inn fighting and the surging river’s lake grievances; You can also see the light posture among the bamboo forests in China, the fighting scene with the sword as light as a dragon, and the profound philosophical discussion. These pictures are not only visual enjoyment, but also spiritual shock.
Second, the "philosophical chivalrous man" in the martial arts world
In addition to his aesthetic attainments, Director Hu Jinquan is also a "chivalrous man" who knows the world philosophy of martial arts. His works are not only telling stories about martial arts, but also discussing life and philosophy.
In Xia Nv, he explored the true meaning of life through the cultivation and growth of the protagonist. In the movie, he even integrated Zen into it, so that the audience can enjoy the beautiful scenery and feel the peace and serenity from the heart.
Third, the "innovation pioneer" of martial arts movies
Director Hu Jinquan is also an "innovative pioneer" of martial arts films. He dares to break the tradition and try new shooting techniques and editing methods. His works are regarded as the pioneering works of Hong Kong action movies, in which the sharp editing and unique perspective make the audience shine, and also provide valuable experience for later martial arts movies.
Director Hu Jinquan is a versatile and charming martial arts movie master. His works not only tell the story of martial arts, but also convey a kind of culture, so that we can draw endless spiritual strength from the movies.
bright and brave
Martial arts actress
In the film world where light and shadow are intertwined, there is such a woman who left a strong impression on Hong Kong’s martial arts films with her vigorous skills and heroic image. She is Pei-Pei Cheng, a Chinese film actress who interprets chivalry with her life and writes legends with tenacity.
First, the gorgeous turn from ballet to martial arts films
Pei-Pei Cheng, born in Shanghai in 1946, has been attached to dance since childhood. When she was a middle school student in Shanghai, she studied ballet for six years. This dance skill has laid a solid foundation for her wonderful performance in martial arts films in the future. In 1963, Pei-Pei Cheng was admitted to the South China Experimental Troupe and joined Shaw Film Company after graduation, from which he embarked on the road of performing arts. In her first film "Lotus Lantern", she made a stunning appearance with the image of a cross-dressing male role, full of heroic spirit.
Second, the peak period of martial arts
In 1964, Pei-Pei Cheng starred in a literary film and won the "Golden Warrior Award" by the International independent filmmakers Association for her outstanding performance, becoming the first Asian actress to win the award.
But what really made her famous was the 1966 martial arts film come drink with me. In this pioneering work of the new martial arts film directed by Hu Jinquan, golden swallow, played by Pei-Pei Cheng, is known as "the most beautiful chivalrous woman" for her agility and graceful posture. Her performance caused a sensation in the film industry, and since then, the stars have been on display.
Since then, she has starred in many martial arts films, such as, etc., and has become the head of Shaw Company, Hua Dan.
Third, return to the film industry to continue to write brilliant.
In 1969, Pei-Pei Cheng married a businessman, Yuan Wentong, and decided to retire in 1970. In 1992, Pei-Pei Cheng returned to the film industry and became popular again as a Chinese lady. Mrs. Hua, played by her, is humorous and has high martial arts skills, which left a deep impression on the audience.
Since then, she has starred in classic roles such as the blue-eyed fox in the film, and won the Best Supporting Actress Award at the 20th Hong Kong Film Awards for her superb acting skills. Her acting career has once again reached its peak.
Grandma in The Legend of the Sword and the Chivalrous Man, She Taijun in The Young Woman, and Mrs. Bao in Young Bao Qingtian have left many fans with endless fond memories of their childhood.
In his later years, although Pei-Pei Cheng’s health went from bad to worse, his chivalry remained. She actively participated in public welfare activities and wrote an autobiography to review her life. Pei-Pei Cheng’s acting career spans half a century, and she has won numerous honors with her excellent acting skills and professionalism. In 2018, she won the Lifetime Achievement Award of the 24th Huading Award. This is not only an affirmation of her acting career, but also the highest praise for her chivalrous spirit all her life.
Martial arts film
Treasures of Chinese films
China’s martial arts films, as the treasures of Chinese films, are deeply loved by audiences all over the world for their unique martial arts culture, wonderful martial arts scenes and profound chivalrous spirit.
Crouching Tiger, Hidden Dragon
Director: Ang Lee
Starring:、、
Highlights: The film tells the story of Li Mubai and Qing Ming Jian, and discusses the complex relationship between love and righteousness. Its unique narrative style and visual effects have broken the boundaries of traditional martial arts films, marking the China martial arts films to a new height. The film has not only achieved great success at home, but also won numerous awards internationally, including the Oscar for Best Foreign Language Film.
Hero
Director: Zhang Yimou
Starring:Jet Li、Maggie Cheung
Highlight: Tell a story about revenge and sacrifice from multiple perspectives. The visual effect of the film is extremely shocking, and Zhang Yimou created a visual feast by using color and composition. This film has not only achieved good results at the box office in China, but also attracted wide attention internationally, becoming an important work of martial arts films in the new century.
Director:
Starring: Jet Li,、
Highlights: The novel of the same name, adapted from, tells the river’s lake feud between Ling Huchong and Dong Fangbubai. With its wonderful martial arts scenes and profound characterization, the film has become a classic of martial arts movies. With his unique narrative style and strong emotion, Director Cheng Xiaodong gave a new interpretation to the chivalrous spirit.
These martial arts films have their own characteristics, and they are all classics in terms of plot, characterization and martial arts scenes. They not only showed the charm of China’s martial arts culture, but also won international fame for China’s films.
Come drink with me is not only a visual feast, but also a spiritual touch. Here, you can feel the romance that only belongs to the martial arts world. Come and join this wine-scented Jianghu adventure! This week’s excellent film "come drink with me" is waiting for you to get drunk and watch it!
[Welcome to this program]
CCTV-6 movie channel
Come drink with me.
Sunday, December 29th
14:00 come drink with me
15:33 Sunday Film Review Edition